So yesterday I popped into my daughter’s school to see a Christmas show performed by Alive and Kicking Theatre Company. Three actors, three flats for scenery, some music, one puppet, a story and a happy ending. A roomful of delighted, transported little children (and grown ups too). I’ve been luck to work with John Mee – one of the core company of Alive and Kicking (though not in this show) – an inspirational drama teacher and practitioner who has been opening up potential in children and students for decades.
Two thoughts: first this is the kind of theatre happening all around the country, and all over the world. And that has happened since the first homo something-or-other told a story somewhere in Africa. It is the first theatre that many experience. I don’t think I’d be doing what I do now if it wasn’t for some formative children’s theatre experiences with Simpson Primary School, Milton Keynes (for the people who made the live action Punch and Judy show in about 1978, thanks I was traumatised for years…) It is the most important theatre we have, the simplest and sometimes the best. We should treasure it.
Second – my daughter’s school is quite mixed. They are doing a project at the moment looking at all the places around the world that the children are connected to – Katarina contributes Serbia and Greece. When one of the actors asked for ideas or volunteers the hands that shot up were of all different hues. In the light of recent kerfuffle about whether theatre is in some sub-set of humanity’s DNA, can I just say that all those children were equally entranced – there wasn’t anyone sitting around going ‘sorry not in my DNA’. Besides which that notion of racial determination by DNA is utter bollocks – and scary bollocks at that (Africa has the greatest genetic diversity on the planet it being the cradle of humanity and all that). However, looking around the theatre (and film and TV) world as it currently stands I know that some of those children have a greater chance of becoming actors or writers or artists than others. That some who would want to go into the arts may not see themselves on stage so never consider it, they may not see the stories that reflect their lives, they may be told it is not for them, they may not have the money. I really want by the time these children are making those decisions in 10-15 years time that this is NOT the case, that it doesn’t matter where you come from, what your background or what you look like, anyone with the ability and commitment can make a career in the arts. But it is up to all of us now to make that happen.
Seasons greetings everyone.